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	<link>http://rhythminmind.net/1313</link>
	<description>The Music &#38; Work of Eric Beam</description>
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		<item>
		<title>of Drums and Wires</title>
		<link>http://rhythminmind.net/1313/?p=4610</link>
		<comments>http://rhythminmind.net/1313/?p=4610#comments</comments>
		<pubDate>Mon, 08 Apr 2013 21:09:42 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[Drums]]></category>
		<category><![CDATA[synth]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=4610</guid>
		<description><![CDATA[This is what happens with two drummers &#38; a pile of synths. Just some collaborative Drum &#38; Synth noodling that I wrangled Don Gunn into creating. Much appreciation to Don for the contribution &#38; for putting up with my ridiculousness.]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=4610</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Driven synth experiment &#8211; analog synthesis via Amp/Cabs + Drums</title>
		<link>http://rhythminmind.net/1313/?p=4570</link>
		<comments>http://rhythminmind.net/1313/?p=4570#comments</comments>
		<pubDate>Fri, 04 Jan 2013 18:28:50 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=4570</guid>
		<description><![CDATA[The result of Metal influence &#38; a pile of analog synthesis/Drums. Being a fan of &#8220;Doom metal&#8221; &#38; a synth freak can be rather conflicting at times. In an attempt to converge the two I figured some Amp (more importantly Cab) sound was in order. I tracked the dominant synth &#38; bass lines with traditional [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=4570</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>16 Step &#8211; ValhallaVintageVerb + Synths &#8211; Experiment</title>
		<link>http://rhythminmind.net/1313/?p=4530</link>
		<comments>http://rhythminmind.net/1313/?p=4530#comments</comments>
		<pubDate>Thu, 20 Dec 2012 10:25:16 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[MPC3000]]></category>
		<category><![CDATA[oberkorn]]></category>
		<category><![CDATA[octatrack]]></category>
		<category><![CDATA[valhalladsp]]></category>
		<category><![CDATA[ValhallaVintageVerb]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=4530</guid>
		<description><![CDATA[The result of insomnia, and in-turn a great cure for those with insomnia. SEM-PRO sequenced via Oberkorn 3, thru Octatrack, &#38; ValhallaVintageVerb + Cat. Drums = DRM1 mk3 sequenced via MPC3000, thru ValhallaVintageVerb. VOYAGER sequenced via Oberkorn 3, thru ValhallaVintageVerb. &#160; &#160;]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=4530</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Frame Rate Delay &amp; Pro Tools Offset Calculator</title>
		<link>http://rhythminmind.net/1313/?p=4459</link>
		<comments>http://rhythminmind.net/1313/?p=4459#comments</comments>
		<pubDate>Wed, 28 Nov 2012 04:19:12 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Ticks, Tips, & Tricks]]></category>
		<category><![CDATA[Pro Tools]]></category>
		<category><![CDATA[video offset]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=4459</guid>
		<description><![CDATA[Out of frustration I created a little Frame Rate Delay &#38; Pro Tools Offset Calculator. It displays millisecond duration for frame, 1/4 frame, &#38; sample duration. It also calculates pro tools 1/4 frame video offsets. I was sick of figuring out the math every time I needed to time-align pro tools video &#38; audio outputs. For those unaware all video displays/projectors introduce processing delay. Once you figure [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=4459</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Delayed &amp; Distorted (MF-104M / MF-104Z)</title>
		<link>http://rhythminmind.net/1313/?p=4429</link>
		<comments>http://rhythminmind.net/1313/?p=4429#comments</comments>
		<pubDate>Tue, 20 Nov 2012 18:01:57 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Analog delay]]></category>
		<category><![CDATA[Distortion]]></category>
		<category><![CDATA[MF-104M]]></category>
		<category><![CDATA[MF-104Z]]></category>
		<category><![CDATA[Moog]]></category>
		<category><![CDATA[Rhodes]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=4429</guid>
		<description><![CDATA[I&#8217;ve recently added a Moog MF-104M &#38; MF-104Z to the arsenal. I didn&#8217;t originally plan on keeping both, but they ended up being very different beasts. The 104M has fuller bandwidth, smoother sound, &#38; modulation. Not to say that you can&#8217;t drive the hell out of it, It&#8217;s covers a lot of sonic territory. The 104Z has a grit &#38; chaotic feedback loop that [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=4429</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Undo that beat detective or I&#8217;ll kill you in the face!</title>
		<link>http://rhythminmind.net/1313/?p=4340</link>
		<comments>http://rhythminmind.net/1313/?p=4340#comments</comments>
		<pubDate>Mon, 17 Sep 2012 18:34:46 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Ticks, Tips, & Tricks]]></category>
		<category><![CDATA[Beat Detective]]></category>
		<category><![CDATA[Drums]]></category>
		<category><![CDATA[Live playing]]></category>
		<category><![CDATA[Quantize]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=4340</guid>
		<description><![CDATA[(Rant warning) So lets say some drummer is hired to lay down live tracks for a head bobbing/swing flowing/trip hopesk project. Tracks get sent off &#38; everyone loves the vibe. A month or two later the songwriter isn&#8217;t pleased. She asks why do the tracks sound so different after &#8220;joe the mixer&#8221; got his hands [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=4340</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Modified MXL 990 (RK-12 + microphone-parts.com/Jim Williams PCB redesign)</title>
		<link>http://rhythminmind.net/1313/?p=3981</link>
		<comments>http://rhythminmind.net/1313/?p=3981#comments</comments>
		<pubDate>Tue, 28 Aug 2012 08:46:32 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[Jim Williams]]></category>
		<category><![CDATA[microphone-parts.com]]></category>
		<category><![CDATA[MXL 990]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=3981</guid>
		<description><![CDATA[Finished soldering up/shooting photos of an exciting soon to be released mic mod from microphone-parts.com. This particular mic started as a MXL 990. The capsule got swapped &#38; the PCB/components had a complete make over. The mic sounds wonderful. It&#8217;s low-end response is insane. As a quick test before I bring this guy to live [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=3981</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MudGuard + Amp Recording Test</title>
		<link>http://rhythminmind.net/1313/?p=3970</link>
		<comments>http://rhythminmind.net/1313/?p=3970#comments</comments>
		<pubDate>Sun, 05 Aug 2012 00:28:04 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Hardware]]></category>
		<category><![CDATA[ADL-600]]></category>
		<category><![CDATA[Earthworks SR78]]></category>
		<category><![CDATA[Fender Deluxe]]></category>
		<category><![CDATA[GT-500]]></category>
		<category><![CDATA[md-1]]></category>
		<category><![CDATA[MudGuard]]></category>
		<category><![CDATA[Rhodes]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=3970</guid>
		<description><![CDATA[Thought I would see if the MudGuard had any utility with amp recording tasks. Recording Chain Rhodes Fender Deluxe W/Tube Mods FullTone Supa-Trem + GT-500 Earthworks SR78 &#8211; Left Channel MD-1 &#8211; Right Channel ADL-600 Mic Pre]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=3970</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>4&#215;12 wired &amp; ready for upcoming albums distorted synth tasks</title>
		<link>http://rhythminmind.net/1313/?p=3958</link>
		<comments>http://rhythminmind.net/1313/?p=3958#comments</comments>
		<pubDate>Thu, 02 Aug 2012 18:13:30 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[4x12]]></category>
		<category><![CDATA[Distortion]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=3958</guid>
		<description><![CDATA[Just finished wiring up the new 4&#215;12 for the current album in the works. I&#8217;m going for a more &#8220;Live&#8221; heavy performance record this time around. Analog Synths, Bass, &#38; whatever else I feel necessary via amps/speaker cabs in real-time; Something to push my drum performance hard. I&#8217;m wanting the transition from studio to stage [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=3958</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Auralex MudGuard Untreated Room Test</title>
		<link>http://rhythminmind.net/1313/?p=3951</link>
		<comments>http://rhythminmind.net/1313/?p=3951#comments</comments>
		<pubDate>Thu, 02 Aug 2012 17:45:28 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[1176]]></category>
		<category><![CDATA[512c]]></category>
		<category><![CDATA[Auralex MudGuard]]></category>
		<category><![CDATA[MD1]]></category>
		<category><![CDATA[RM-5 Ribbon Mic]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=3951</guid>
		<description><![CDATA[So Jon Tidey suckered me into a group buy (doesn&#8217;t take much when recording gear is involved) for a &#8220;Auralex MudGuard&#8220;. I&#8217;ve been curious how these perform for some time now. I did a quick dialog test record of myself blabbering some nonsense to get an idea of how the MudGuard changes microphone response. It [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=3951</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Slate Digital VCC Analyzed</title>
		<link>http://rhythminmind.net/1313/?p=3932</link>
		<comments>http://rhythminmind.net/1313/?p=3932#comments</comments>
		<pubDate>Sun, 08 Jul 2012 13:50:13 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Slate digital]]></category>
		<category><![CDATA[VCC]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=3932</guid>
		<description><![CDATA[After using Slate Digital VCC on the past few mixes, it was time to put it under the microscope. Curiosity had me wondering what changes if any were happening to the frequency spectrum, &#38; harmonic content. Using a Prism DScopeIII via AES I created three measurements per model. Frequency response Harmonic distortion Distortion in relation [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=3932</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Recordinghacks.com &#8211; Kick Drum Mic Review</title>
		<link>http://rhythminmind.net/1313/?p=3915</link>
		<comments>http://rhythminmind.net/1313/?p=3915#comments</comments>
		<pubDate>Fri, 08 Jun 2012 22:13:06 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Hardware]]></category>
		<category><![CDATA[Drums]]></category>
		<category><![CDATA[Microphones]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Shootouts]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=3915</guid>
		<description><![CDATA[Recently completed a rather large kick mic review over @ recordinghacks.com &#160;]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=3915</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>600 ohm termination?</title>
		<link>http://rhythminmind.net/1313/?p=3907</link>
		<comments>http://rhythminmind.net/1313/?p=3907#comments</comments>
		<pubDate>Wed, 06 Jun 2012 13:25:44 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[Ticks, Tips, & Tricks]]></category>
		<category><![CDATA[1176]]></category>
		<category><![CDATA[LA-2A]]></category>
		<category><![CDATA[termination]]></category>

		<guid isPermaLink="false">http://rhythminmind.net/1313/?p=3907</guid>
		<description><![CDATA[Have an older piece of gear that calls for a 600ohm load (1176, LA-2A, API, etc)? Interfacing it with modern high input impedance gear? You need to terminate. All it takes is a simple resister across its output. I like to create a simple little XLR pigtail for this task. Strap a 680r across pins [...]]]></description>
		<wfw:commentRss>http://rhythminmind.net/1313/?feed=rss2&#038;p=3907</wfw:commentRss>
		<slash:comments>1</slash:comments>
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