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Interview with Acustica Audio (Behind the Kernel (#1)

Acustica Audio (Behind the Kernel (#1)
Eric Beam from Signal to Noize interviewed

Acustica Audio: How did you know about Acustica Audio and Nebula?
Eric Beam: Being the audio engineer & tech geek that I am, I tend to keep up with the current tools of our industry. When I first read up on the technology I
was intrigued by the potential Nebula had to offer.

Acustica Audio: Which feature you look into gear before get sampled?
Eric Beam: I choose devices to sample that I want to use myself. I’m drawn to many unique analog processors and interesting effects. Many of these boutique & or vintage devices offer desirable qualities that are truly one of a kind. In our world of limitless production Nebula allows you to imprint these qualities on countless sources without the physical or economic limitations.

Acustica Audio: Which studio configuration do you use. ITB, OTB or Hybrid?
Eric Beam: I use a rather complex Hybrid setup. I would say it’s 50/50. My philosophy is simple, use the best available tool for the task at hand. Continue reading

Powered Bus – Nebula Program

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L-401 Console EQ – Nebula Programs

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nrA Enhancer – Nebula Program

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LEVel Up Gain Stage – Nebula Program

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A-American/N-British Gain Stage – Nebula Programs

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Zodiac Console Compressor – Nebula Programs

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Stripe 76 Compressor – Nebula Programs

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NAG TApe – Electromagnetic Tape Nebula Programs.

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  • uni
  • T-Res Filter
  • utc